Oade Brothers Audio, Inc.

General FAQ
Microphone FAQ
Roland R26
Roland R44
Roland R4 Pro
Roland R88
Fostex FR-2
Fostex FR-2LE
Marantz PMD-671
Marantz PMD-660
Marantz PMD-661MKII
Marantz PMD-706
Superscope PMR61
Marantz PMD-561
Marantz PMD-620MKII
Tascam HD-P2
Tascam DR-100
Mics & Preamps
Recording FAQ

Spaced Microphone Techniques

    Spaced microphone techniques were the first methods employed to relate a stereo image to the listener. Bell Labs did a lot of work on these methods. They experimented with two and three spaced microphones, adding the third microphone to "fill in the center image". This method has the microphones facing forward along a line perpendicular to the sound source. The polar pattern , spacing and distance from the sound source are all variables that need to be considered using this technique. Unlike the other methods described here, this method creates a stereo image as a result of both time and amplitude differences between channels.

    Two significant problems can arise using this method.
    They are :
    1) Vague center imaging. Keeping the microphone spacing to a minimum will alleviate this problem. A spacing of 2 to 10 feet is best depending on the distance from the sound source. For nature recording keep the mics to about 24".
    2) low-frequency comb-filter effects on sounds sourced to the extremes of the soundstage. A phase monitor oscilloscope or laptop with appropriate software should be used with these methods to assist in microphone placement.
    Another concern, to some, is erratic mono compatibility.
    The main advantage of this technique is that Omnidirectional microphones exhibit little or no tonal shift and have a very open sound. This makes them ideal for recording nature sounds or music when tonal accuracy is a must.
    Another significant advantage of Omnidirectional microphones is that they are relatively immune to windnoise.

    Back to Mic FAQ




Tapers Section® Oade Brothers Audio
Copyright © 1996 - 2011 Oade Brothers Audio, All Rights Reserved